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MOVIES: THE ORIGINAL GLAM DIVAS OF BOLLYWOOD

Both of them made relatively quiet debuts in the early ‘70s, Zeenat in OP Ralhan’s Hulchul (1971), and  Parveen in BR Ish...

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GAIETY-GALAXY: & THE BLACK MARKET

Sharad Raj elaborates on the calculations his wife and he made at the beginning of their life together in Mumbai, which led to...

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BOLLYWOOD TIK-TALK: BREAKING BOX-OFFICE RECORDS AND MUCH MORE!

There’s never an end to the news coming from Bollywood. Tiger 3 breaking box office records to Anushka Sharma’s blissful moments an...

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BOLLYWOOD TIK-TALK: THE BEST ACTORS ON THE SCENE!

Today, The Daily Eye #Newsdesk tells you all about the film Pippa and what’s going on in the lives of Ishaan Khattar, Mr...

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WHEN WILL THE DARK GIVE RISE TO THE MOON?

Humra Quraishi recalls the days of New Delhi’s past when the cultural hub was celebrated by envoys, especially from Arab...

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I WOULDN’T HAVE IT ANY OTHER WAY!

Vinta Nanda explores the making of a poet, reaching nowhere obviously, because ‘if we knew what makes a poet, everyone w...

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Bengali Cinema: A Middle Way to Tread

Satyabrata Ghosh explores the cinema of West Bengal to conclude how the median between art and commerce exists and has been of...

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A Requiem For Mayfair Cinema

English movies which essentially meant Hollywood films (Hollywood being the benchmark for “good cinema” catering to the English-spe...

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THE TOWERING TRIUMVERATE & THE TERRIFIC TRIO

Dilip-Dev-Raj or Aamir-Salman-Shah Rukh? Monojit Lahiri invites readers to go for it while he attempts to objectively analyze ...

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The Comic World Of Pierre Étaix

Vandana Kumar writes: ‘Le Grand Amour’ (The Great Love) 1969 is a French comedy that introduced me to its director...

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